A similar experiment was conducted by Umberto Fenocchio in Italy, with his major type design œuvre Linea for Italian type foundry Fonderia Tipografica Cooperativa (1966–1969). Not a revival, Studio Pro is conceived for modern tasks and to be visualized on modern devices: with a very standard, still elegant shape; plenty of alternatives and open type features studied to make possible to use, in a smart way, all the wide range of glyphs; a tall x-height, that makes it readable also when used at a very small size; finally, proportions that make it very neutral, still very recognizable and unique.