Corda – an elegant serif family with an easygoing, flowing ductus. It is semi-contrasted and even in the heavier styles appears light and breezy. Pleasant for reading and in display sizes very attractive. Corda comes in ten styles, in OpenType format and with extended language support for more than 40 languages. All weights contain standard and discretionary ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals.
OTF | 10 Fonts | JPEG Preview | 3.8 Mb RAR
Ames’ Roman is a stylish ‘New-Style’ Didone Roman family offered in divers weights and widths. It is designed to embody clarity combined with dramatic contrast between horizontal and vertical strokes. All typefaces include small capital forms, new and old style numerals (and indeed ‘small capital’ numerals for consistency). Ames’ is a Roman with the charm of the past and the spirit of the future! It’s ideal for headings and titles and anywhere else you need text of distinction.
OTF + TTF | 16 Fonts | JPEG Preview | 23.2 Mb RAR
Stock Photos - Abstract Underwater Backgrounds with Sunbeams
25 UHQ JPG Images in Original Filenames | Up to 8000x5730 Pixels | 271 MB
Naturalia font was designed by Carlos Fabián Camargo in 2012 and suggests an ultra-narrow, spontaneous and winding handwriting lettering, it is great for composing short and striking sentences. His idea behind not only alludes asymmetrical shapes but simple glyphs that compact vertical and tight proportions between lower case and upper case letters. Indeed, lower case letters have ascendant and descendant strokes shorter than the “x” height and width is generally condensed, saving horizontal space and supporting monolinear amount of contrast between thick and thin strokes accompanied by their sans serif endings. Most importantly, its full and empty arrhythmic areas consolidated variety of thicknesses simulating strokes that seem naive letters freehand draw.This lack of homogeneity is very useful for ranking words and phrases in eye-catching graphic design advertising events, culture, fun and entertainment. In that sense, his spontaneity is enhanced by OpenType features, “Swash” and “Titling” with decorated letters that move your baseline up and down as carousel. Finally, typographical and naif fusion holding Naturalia concept generates galloping reading useful for ranking short and folk sentences with calibers: Light, Book, Bold and Black. Thus, each “Pro” version has 350 glyphs with some features OpenType Swash, titling and Standard Ligatures. Naturalia also works in software without full OpenType functionality, for that it is recommended to use the remaining options. In order to emphasize the degree of hierarchy and as a special and distinctive feature, the variable Naturalia Black was designed with roundness and slight deterioration contours and also coated frames with zigzag edges that give the impression of black paper cutouts with white letters.
OTF | 13 Fonts | JPEG Preview | 4.9 Mb RAR
Sensational Sans is an original design by Alex Kaczun. The inspiration started with the shape of a paper clip. Simple and elegant. A condensed sans serif that’s, well... just sensational! It’s a delight to use and view. Great for advertising, large headlines, web applications, and well... just about anything. Works equally well in a broad range of text point sizes. Comes in 4 delightful flavors—Light, Regular, Medium and Bold.
OTF | 8 Fonts | JPEG Preview | 4.5 Mb RAR
Alina is a laid-back condensed script font. Alina includes OpenType ligatures to all lowercase double letters to make them subtly differ from each other. So Alina feels a little bit more hand lettered and lively.
OTF | 2 Fonts | JPEG Preview | 4.5 Mb RAR
The name DIN refers to the Deutsches Institut für Normung (in English, the German Institute for Standardization). The typeface began life as the DIN Institute’s standard no. DIN 1451, published in 1931. It contained several models of standard alphabets for mechanically engraved lettering, hand-lettering, lettering stencils and printing types. These were to be used in the areas of signage, traffic signs, wayfinding, lettering on technical drawings and technical documentation. Rooted in earlier designs for Germany’s railway companies, the alphabets were based on geometric shapes in order to be easily reproducible using compass and ruler. In post-1945 West Germany, the DIN alphabets were widely used, for instance on most road signs. They became available as fonts that were appreciated by designers for their industrial, somewhat quirky and “non-typographic” look and feel. From the 1990s onwards, more refined versions became available for use in book and magazine typography. DIN Next is a typographically corrected and expanded version of this quintessential 20th-century design. DIN Next Rounded is its softer, friendlier version.
OTF | 4 Fonts | JPEG Previe | 3.9 Mb RAR
Herb Lubalin and Tom Carnase based their 1970 design of ITC Avant Garde Gothic on Lubalin’s logo for Avant Garde Magazine. The condensed fonts were designed for the International Typeface Corporation in 1974 by Ed Benguiat. ITC Avant Garde Gothic is a geometric sans serif type, that is, the basic shapes were made with a compass and T-square; the design is reminiscent of the work from the 1920s German Bauhaus movement. Letterforms built of circles and clean lines are highly effective for headlines and short texts. The condensed faces have the same modern look, while retaining legibility in lengthier texts.
OTF | 20 Fonts | JPEG Preview | 5.7 Mb RAR
Tabac Slab was created by combining several contradictory influences, the result of which is a universal linear font. The combination of brisk serifs and refined calligraphic details in the structure of the characters serves to create an original concept that mixes influences from both book and advertising graphics. Serifs aid legibility in long texts, while small drawn details realise their full potential in sizes of twenty-four points and larger. The basis for our Egyptienne was Tabac Sans, with which Slab logically forms a harmonic duo. The addition of bracket-less serifs caused the typeface to thicken and become solidly anchored on the lines, giving a firm answer to all typographers who like to complain about the slight exuberance of grotesque fonts.
OTF | 16 Fonts | JPEG Preview | 5.8 Mb RAR
Rooted in 1960s Brit modernism and infused with a fresh, contemporary spirit, FS Elliot is a future-proof, workhorse sans serif, well-suited to any assignment. Open and harmonious, its clear, fluid shapes lend words a distinctive and optimistic bounce.
OTF | 10 Fonts | JPEG Preview | 4.9 Mb RAR